Articles

Reflections on Cultural Identity and Revolution: Remembering Fanon, Using Fanon

  by Kevin Donnely

“[Brecht] would have been delighted, I like to think, at an argument, not for his greatness, or his canonicity, nor even for some new and unexpected value of posterity … as rather for his usefulness”.i

Introduction

I can still remember clearly the first time I encountered Frantz Fanon, and it was not the happiest of experiences. It was around 1997 and I was in my first year at university as a mature student on a youth and community studies course. As part of this, my tutor set an essay in which we were to demonstrate how radical, non-formal, education had been influenced by a number of key thinkers – we were to choose one from a list and one of the choices was Fanon.

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Editorial

by Martin Levy

15 January 2017

Writing just a few days before Donald Trump’s inauguration as US president, I recall the following quotation from Antonio Gramsci:

“If the ruling class has lost its consensus, that is, if it no longer ‘leads’ but only ‘rules’ – it possesses sheer coercive power – this actually means that the great masses have become detached from traditional ideologies, they no longer believe what they previously used to believe, etc. The crisis consists precisely in the fact that the old is dying and the new cannot be born; in this interregnum morbid phenomena of the most varied kind come to pass.”i

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  • Man's dearest possession is life. It is given to him but once, and he must live it so that, dying he might say: all my life, all my strength were given to the finest cause in all the world—the fight for the Liberation of Mankind.
    Nikolai Alexeevich Ostrovsky Author (1904 –1936)
  • Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.
    Bertholt Brecht Playwright and Poet (1898-1956)
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